Flute Teacher Featured Information

Menu

Flute Music
Flute and Music News
Flute Info

Flute Related Info
Flute and Music News

The flute is both an ancient and modern musical instrument. Various versions of flutes have existed throughout history in virtually all cultures: Indian, Chinese, South American, Irish, African. In some parts of the world their flutes been have transposed into their own national art form, like the Japanese shakuhachi and the Native American flute. In the Western world, Theobald Friedrich Boehm is the man behind the their modern adaptation (what most westerners think of as a flute). Flutes come in all sizes and shapes and are made of any of a number of materials like clay, wood, nickel, silver, gold, pearl, plastic, ceramic and bamboo. Some are small, like the ocarina, penny or tin whistle, pan flute, recorder or nose flute. There are many different fingerings. Some play chromatic and some are pentatonic scales, and how they finger varies with the model. Chromatics can play each sound in major or minor keys making them quite versatile. Some are players by ear while others playing primary by sheet music. Alto, tenor, bass... you name it. You can play solo, in duets or a trio, in an ensemble, in a jazz band or brass band, opera, or orchestra...(continuted below)

Choosing the right flute teacher (or music teacher) is an important task in a musician's development. Here's some good points in this article.

Choosing the Right Music Teacher for Your Lessons

By: Edward Droscher

The best way to learn an instrument is to find a music teacher. In fact the best way to learn anything in life is to find a tutor of your chosen subject and to take on the task head on - to learn from actually doing.


People say that you learn from your mistakes – partly true due to the fact you end up knowing what NOT to do. But I believe there is a key point missed here – at least you are actually DOING something.


A teacher is someone to show you the path, the ‘light at the end of the tunnel’. At the end of the day they know what they are doing and talking about – you probably don’t – and it’s because of this, the fact that you put all of your trust into your teacher, that you should be very careful about ensuring the one you choose is up for the job.


Here is some advice on choosing your teacher and what to look out for.


Advice 1 - Previous Experience.


It is essential that your teacher has experience in two specific areas – performing music and teaching music. It is important that your music teacher is actually a musician – the best example I can give is this – imagine that instead of learning an instrument you want to learn how to scuba dive. Would you let yourself be taught by someone who has studied diving from a book but who has never actually been under the water?


If your teacher shows that he has performed music it gives you some guarantee that they are of a high enough standard musically – chances are they wouldn't have been hired if they couldn’t play their instrument.


The second is teaching experience. After discussing how it is important for your teacher to have actually been, or still is involved in music it is also important that the have experience in teaching music. Teaching is a completely different art to performing. Most musicians tell me that they learn more through teaching than they do from any other source - when you teach you instantly reveal your own weak points.


The opposite of this is true as well actually – how many times have you heard someone who recently passed their driving test say you don’t learn how to drive until your out on the road on your own – after your lessons and test (This carries over to a future article – Why performing is critical to your progress as a musician.)


So – make sure your teacher is both a musician and a teacher.


Advice 2 - Attitude and Personality.


It is fairly common for people to ask for character references – estate agents, employers – most people looking to hire someone - this is also true for finding a music teacher as at the end of the day you are hiring them to teach you.


Learning is much easier in a friendly environment – did you ever notice that the teachers at school that had a laugh and were fun often taught you the most each lesson? In human nature it is common to be stubborn and resilient and it is a teacher’s personality and character that helps connect with you, therefore making the experience enjoyable and thus increasing the productivity of your lessons.


It is not generally going to be possible to get a character reference from a teacher but try and use your first lesson as a trial - Get to know your teacher a bit and get a general feel for the lesson – if you have fun and enjoyed every minute then you’ve probably found a teacher with a good teaching attitude rather than if it was drab and boring.


If you can try and talk to some of your prospective teachers regular students. See if they enjoy their lessons and what the overall comments are about the quality and attitude of the teacher.


Advice 3 - Teacher Flexibility


Again this covers more than one topic – flexibility as a musician, and as a teacher.


In the long term you will eventually begin expanding your musicality. For example – woodwind players generally begin learning one instrument, maybe the clarinet or saxophone. Eventually, and if they want to pursue music, they will begin learning other woodwind instruments as it is common for, say for instance a saxophone player, to play clarinet, flute and even through to oboe and bassoon.


Because of this you are going to want a teacher that can provide this in the long term. After months and years of lessons with your teacher you won’t want to find that in order to progress further you need to find a new instructor and have to create the bond that you would have developed with your current teacher all over again.


Positive things to look out for are:


• If your teacher still has lessons and practices (even the most professional musicians still have lessons – see the beginning of my article – Practicing music – what to do outside of your private music lessons to see how it is impossible to learn and master every aspect of music)


• If your teacher teaches more than one instrument (however be wary of teachers that teach, for instance, trumpet and flute. Whilst musicians do end up playing completely irrelevant instruments they generally will stick to teaching their primary instrument.)


• If your teacher is still an active musician – this is a gray area because where it is easy to assume that your teacher, not an active musician maybe is not good enough to perform music and therefore teaches music, it is possible that your teacher prefers teaching than performing. The benefit if they are still an active musician is again they will be learning constantly and they will still be an active teacher during this period.


The other flexibility to look out for is their organisation in regards to lessons. It is positively advised that regular lessons – or regular anything – is good for you. Regular exercise keeps you healthy, regular sleep keeps you alert and regular lessons help improve your musical playing.


If your teacher will constantly phone up to re-arrange your lesson, often misses lessons or is often late for your lesson it will have a negative effect on you. Psychologically the fact that you haven’t got into a routine with your lessons and the fact that you keep getting let down will make you less enthusiastic towards your music lessons.


So find a teacher that offers many years of tuition rather than a limited number of months, and someone who will keep regular dates and who holds his promises of this dates and times.


Conclusion


Hopefully this article will give you some food for thought if you decide to find a music teacher and just remember that unless you are enjoying and learning your instrument – maybe you need a new teacher.


This article is free for reproduction providing it is left in its original form and an active link to http://www.realmusicproduction.com is present.


Edward Droscher is the founder of Real Music Production and works to develop music education systems privately and in schools. For more information or details on music instruction please visit http://www.realmusicproduction.com or email info@realmusicproduction.com


Article Source: http://EzineArticles.com/?expert=Edward_Droscher

...flutes will play in harmony with other woodwinds, strings, guitar, piccolo, and percussion instruments when used to accompany. As a flute plays one note at a time (can't play chords), the flautist can make beautiful melodies by playing with others. Flutes have been used with just about every genre of music imaginable, new age, classical, rock, punk, hip hop, country western, Christmas, wedding, sonata or folk... any song. From Jethro Tull to the virtuoso composer Mozart who wrote his famous Magic Flute masterpiece... to Beethoven (who was blind in his later years). Are you a student, teacher or both? If you are a self learner, you could study a free lesson found on the Internet. Or you could learn and buy sheet music, a chart, and perhaps a complete curriculum from a company that specializes in correspondence courses. There is no shortage of companies that you can buy accessories from like cases, printable sheet music, stands, new or used flutes. Gemeinhardt, Armstrong and Yamaha are each a popular flute maker today.
More Flute Teacher Related Articles...
More Flute Teacher Related News...